Daily Prompt: Border (s) mean so much in tourism

Daily Prompt: Border (s) mean so much in tourism

The Johnstown Flood Memorial/ St. Michael, PA #SouthForkFishingHuntingClub #SouthForkDam #JohnstownFloodof1889The Johnstown Flood Memorial/ St. Michael, PA #SouthForkFishingHuntingClub #SouthForkDam #JohnstownFloodof1889

Border (s) exist on a map, in different geographic markings, and man-made signs to denote a boundary.  In tourism, boundaries are blurred more today than 100 years ago.  As tourist we are constrained only by the regulations to move from one place to another.  Most countries have some form of visa requirements, and yet, as an educator, I teach that boundaries or borders are not insurmountable.  Anything is possible.

Yet, the question of migration is constant note of debate in today’s society.  That borders should be freely open and allow for that migration.  We try to have a reasonable discourse in my classes.  But more so drill down to the core reasons, the SWOT of migration, of tourism in a greater context.

I have an intercultural competency or as I prefer a cultural intelligence assignment in most of my classes.  I tweak it for the different levels.  In my intro class, I begin to open the windows and doors to the vast global world, allow the students to peer out into the broader spectrum, and start the dialogue.  Most of the students, if not all, have a passport and have utilized it.  Some of have not.  But even with their experience, the question remains how much do they really know about the cultures in which they interact with?

At the beginning of the semester, the first couple of weeks, I try to articulate that they are, for their current position on the life cycle, at a limited awareness of the dynamic and complex relationship of the world.  Tourism fosters a movement from a limited awareness to a greater awareness, even if it is traveling from the middle of no where into a bigger, and broader context like a city.  Diversity of the population is far more substantial in the city than in the middle of no where.  They are exposed to more cultural norms.

So borders aren’t just lines on a map, marking the boundary between countries.  Borders can be, may be that demarcation line of change.  Where we step off into something more, and become something more.  That precipice that requires of leap of faith to overcome the fear of doing something.  Of testing yourself and expanding your understanding.  To shedding the shackles of a myopic viewpoint, and opening up oneself to knowledge.  Ignorance breeds fear.  Knowledge gains an understanding.

Tourism is a vehicle for change.  And yet there is always another side of the argument.  The movement of people has a negative impact on infrastructures.  We can’t have this debate without understanding the implications of acculturation, tourism area life cycle or TALC, carrying capacity, spatial segregation, and cultural homogenization.  Planning is key.

Host communities must question the impact on their local identities and quality of life.  Resources and the sustainability of a destination must be examined in order to maintain a balance.  If those resources diminish beyond what the area can handle, then the destination has reached its carrying capacity.  You will see a negative impact on the three environments – natural/man-made,  economic, and socio-cultural.  Basic needs will not be met, and people will suffer.  The infrastructure will begin to deteriorate and impact will be exponential, until a point has been reach, when movement lessens and an area can begin to recover.  If saturation has been reached, or even exceeded for any length of time, resources will disappear completely.  Movement will stop, economic vitality will diminish and the destination will enter a stagnation or decline on the tourism area life cycle or TALC.

Border (s) have so many meanings in tourism, and I have only hinted on a host of thoughts.  The final comment, if a destination is to continue, hard questions need to be asked.

 

via Daily Prompt: Border

If not now, when…

If not now, when…

If not now, when…words I contemplate every single day.  I want to get real about motivations.  To this day, I still don’t think we truly understand why people do what they do.

Edinburgh Festival Fringe 2016

Edinburgh Festival Fringe 2016
Performer on The Mound at the Edinburgh Festival Fringe on Flickr Edinburgh Fringe, VisitScotland Flickr

It’s that old adage, what comes first, the chicken or the egg?  When is that prompt, that kernel of an idea, that innate want to move originate?  To me its a constant white noise that lingers in my brain, in my ears, in all of my senses, and my soul that stirs the blood, and makes me want to shift into action.  I can sit in my car and just by reading my odometer ignite “the itch”.  I am a fidgeter, unable to sit still.  I have been like that my whole life.  My family, especially my siblings, loathe that part of me.

But why do I constantly have these emotional tugs, these pulls, and pushes to want to travel?  My reasons are a murky, muddy, misty, maleficent (mischief not evil people) to just flip-up my finger on my mundane existence and salute it goodbye.  I wish I had the funds to just take my passport to the airport, walk right up to the counter, and say I want to book a flight to Scotland.  Take me away from here, now, please before my grey matter oozes out of my ears and cascades down over my shoulders.  Before my soul dries up, and my heart bends beyond endurance for the want to see my second home.

My fingers are typing hard upon the keyboard, and my emotions are chaotic.  Questions running amok.  And still one remains. Why?  Why is travel so important?  Why do I want to do it?  Why do I want to escape my mundane life and find something real?  Och, why am I asking that last question.  Why is that perception of travel a point of reality more so than my current existence?

Tay Forest Park, Perthshire

Autumnal view over Taymouth Castle and Strath Tay near Kenmore, towards The Tay Forest Park, Perthshire, Scotland VisitScotland Flickr

Pennsylvania

Johnstown Incline Plane and Johnstown, PA by Lost in Scotland, Flickr.

The textures of the landscape in Scotland is not unlike the natural environments of my home in Pennsylvania.  Perthshire particularly is like the Laurel Highlands of Pennsylvania.  I have memories built upon my time spent immersed within the landscape.  I can describe the smells, the sounds, the sights, the interactions, and yes, even apply the mystical.  But the cold reality is, traveling and being a tourist centers, and focuses my spirit.  Maybe I’m not meant to understand the emotional need.  Maybe I’m just being too complicated.

The prospect of not being able to move, to travel is something I don’t want to fathom.  I need those moments, even if it is a day trip somewhere.  The reasons for travel are unique to each individual.  My sister and I diverge on genealogy tourism, the want to find our roots, and the places associated with our ancestors.  My sister isn’t in to that type of hobby.  Me, I would love to see where these people lived.  I know the first time I wanted to go to Scotland, back in 1993, genealogy wasn’t on my list.  I have to laugh about this story.

Dad's college grad pic

Dad, Lost in Scotland Flickr.

I was turning 3o and reached a point where I felt that strong pull, that tug for Scotland.  I had read, researched, snatched, and bought all the marketing material I could about the country.  Their words, their stories, their pictures was a great push to get me moving.  I have had this innate feeling since I was a youngster and (ahem) snatched Dad’s copy of National Geographic as it came into the mail.  I can’t tell you the joy I felt when that yellow and white covered magazine showed up in our mailbox.  I would snatch out those maps, those pictures and line my walls.  They were my obsessions as a kid, not the latest rock star.  But at 30, I had an epiphany.  I skirted finally over the edge into an adult mode of thought, and the freedom that came with it.  I made a decision I wanted to go to Scotland.  I went home, sat my parents down, and told them point-blank, “I’m going to Scotland.”

Dad’s reaction, and I love my Dad very much, was you aren’t going.  Remember, Dad grew up in a different era, and has a differing point of view about the fairer sex.  Women, especially young women, didn’t travel alone.  I was all for it.  I was still his baby girl.  That is the big bad ass world out there, and I want you safe.  God I love him.  So he made the promise to me that we would go together, Mom, Dad, my sister, and me.  “Give me the stuff, and I’ll make the arrangements.”

“Sure.”  I pushed over my bag of research, and settled the planning into his capable hands.  Remember this is the time before the Internet, and WWW.  They had a computer, but that was for writing letters, and doing jobs off-line.  They weren’t connected.  I didn’t even have one.  I sold 286’s at my weekend job for Staples, but at best had a typewriter to do work on.  Research was hard copy.  I went back to Washington, DC, worked a week, and called the following Sunday.

After the usual pleasantries,  we got down to business.  I asked how was the planning going?  He replied great, and explained the itinerary.  I listened and then cringed when he said that we would fly into London, tour England then go to Wales.  I asked what about Scotland.  No, no Scotland, England and Wales.  I explained I didn’t want to go to Wales, but Scotland.  I thought you wanted to go see where your ancestors are from.  No, I replied, I want, need to go to Scotland.  Long story short, we went to Scotland via London, then Liverpool, then Scotland.  There were no direct flights back then into Glasgow or Edinburgh.

Dad’s focus was genealogy.  That was his motivation.  That time period, he would have been in his early sixties.  How our interests change over the years, and mirror those that have an influence on our decision-making.  I am totally for going back to Scotland, because I just found out that our ancestors are not only from Wales, but also Scotland.  So my motivations have shifted.

I want to go to Wales, because there is one piece of the family genealogy that remains elusive.  I love puzzles, and I want to solve it.

So motivations are unique to each individual.  Why I think will be that elusive piece that we might not be able to adequately understand or find.  That proverbial sock that got lost in the dryer.  One day its one point of view, the next another.  Life, maturity, and experience will shift those variables around, shake them up.

“Heritage is a thoroughly modern concept” *…

“Heritage is a thoroughly modern concept” *…

Heritage is a thoroughly modern concept ~ McCrone, Morris and Kiely (1995, p. 1)

As McCrone, Morris and Kiely assert in their seminal work on Scotland – the Brand: The Making of Scottish Heritage (1995), heritage as we know it today is not the same concept of heritage from hundreds of years ago. The depictions of plaids, and other Scottish icons can be traced back to the early 19th century (1822), to Sir Walter Scott’s pageantry of King George IV’s visit to Scotland. Scott was well ahead of his time regarding the marketing of a destination. He put Scotland on the map with his writings and romanticism of the country. I can’t blame him for he is reacting to the historical events that happened in the late 17th and 18th century that stripped the country of its pride and self-identity. I would say those events, to a degree, bent but didn’t break the country. If anything those events helped to make it stronger.  This isn’t the first time I revisit the discussion of ‘manufactured’ tourism.

Let’s revisit Starz Outlander. Don’t get tired; this is a great show to demonstrate concepts, even the ‘built’ world of writers, and the film/tv industry. Saturday night was episode 210: Prestonpans was aired, and of course, I visited the subsequent talks on social media on Saturday, and Sunday. Of course, some of the chatter had to do with Bonnie Prince Charlie’s wardrobe.

Outlander Bonnie Prince Charlie
Bonnie Prince Charlie, Outlander Season 2, episode 210; ©2016

Some of the fans were arguing over what tartan he was wearing. Some thought it was the Wallace tartan; others weren’t sure. Whatever they utilized in the show, I would hazard a guess that there is host of historical inaccuracies. Again, what makes for good television. Any tartan or plaid we have today is a manufacture representation traced back to that demarcation line when Scott created the icons for Scotland.

Bonnie_Prince_Charlie_by_John_Pettie
Bonnie_Prince_Charlie_by_John_Pettie

This is one of my favorite paintings of the Prince by Pettie and is in the Royal Collection. Pettie lived from 1834-1893, in the age of romanticism. The Prince is wearing the Prince Charles Edward Stuart tartan. The Prince is emerging into the light of Holyrood Palace after taking Edinburgh in the early days of the ’45. If this tartan had any historical accuracy, which it may or may not, then the tartan used by the wardrobe on the show has thoroughly got it wrong. But more importantly, these two depictions demonstrate the concept of modern heritage.

I am amused by the show. Heck, I just watch it to hear the accents and see the beautiful scenery, and it does have a great storyline. The acting is well done, but I cringe every time for the bastardization of representations of heritage and historical events. I know, let it go, it’s just entertainment. Usually, I do several days later. I have to remember what Beveridge and Turnbull, 1989 stipulated in their works. That the truth of Scottish cultural is that mystical entity that has been ‘eclipsed’ over time. That we will not truly know the genuine character and can only ‘create’ our own interpretations. McCrone, Morris, and Kiely argue that Scottish heritage and its associated icons are malleable. That they are distorted and susceptible to interpretation.

Bonnie Prince Charlie and James Fraser
Bonnie Prince Charlie and James Fraser, Starz Outlander Season 2, EP 210 Prestonpans ©2016

The romanticism of Scotland is a glamorous depiction of historical events. And I have to say makes for great entertainment. Students you must dig past this glamorous representation, do your homework, find primary sources and research for yourself the truth behind destinations. Understand how history, those that influence the development of tourism and its associated marketing to understand how we can differentiate one destination from another. To benchmark against those that are successful and those that are not. Scotland is successful in its marketing efforts and has Scott to thank for that. Tourism is one of the leading industries that aid that countries economic vitality. Go further, farther in your examination to understand just what heritage is, and how it supports a country and its tourism products.

Should we even get into a discussion about authenticity? Maybe next time.

Sense of Belonging…

Sense of Belonging…

Understanding Sense of Belonging

Lost in Tourism

Stormy skies over Ring of Brodgar
Stormy skies over Ring of Brodgar, Orkney

So my tourism class has finished up for the most part motivation and I am sitting here reflecting on what we talked about.  I tried to convey to the students that they have to develop their own understanding of the functions of motivations for their own career aspirations.  To apply what we learn to their own passions, and how this will aid in becoming a better overall manager.  Yet, I continue to ponder the questions in my own life as a tourism researcher, as a tourism educator.

Why do people travel?  Why do we feel a kindred spirit with certain destinations?  Why are we tugged towards something that we have never really been before, and feel at home?  Why do we have a physiological, psychological, and cognitive response to a destination?  Finding out those answers is gold for a destination marketing organization.  If…

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Sense of Belonging…

Sense of Belonging…
Stormy skies over Ring of Brodgar

Stormy skies over Ring of Brodgar, Orkney

So my tourism class has finished up for the most part motivation and I am sitting here reflecting on what we talked about.  I tried to convey to the students that they have to develop their own understanding of the functions of motivations for their own career aspirations.  To apply what we learn to their own passions, and how this will aid in becoming a better overall manager.  Yet, I continue to ponder the questions in my own life as a tourism researcher, as a tourism educator.

Why do people travel?  Why do we feel a kindred spirit with certain destinations?  Why are we tugged towards something that we have never really been before, and feel at home?  Why do we have a physiological, psychological, and cognitive response to a destination?  Finding out those answers is gold for a destination marketing organization.  If we can hook the heart of people, and have them make a decision, choose one destination over another, then we have succeeded at the function of promotion.

Yet, I always thought there was more to this behavior.

What are those feelings that tug at the heart, that sense of belonging that makes you return again and again to the same space, the same landscape?

What is that longing for a place?

It isn’t easy to articulate truthfully for some of us.  We are all drawn to a destination to fulfill some hierarchy of need.  Some hedonistic want to ‘see’ for ourselves what all the hype is about.  Sometimes, I can’t understand some over the top reactions to the elements of life.  I was never one to like concerts.  The behavior of participants that this was the be all to end all, that if they weren’t part of the equation, their life would somehow be less fulfilling.  I have only been to two rowdy concerts in my life, and sat in wonderment at the behavior of people.  It was nuts.  More than half the time I couldn’t hear the music for all the screaming.  I didn’t appreciate or enjoy those experiences at all, and will never again participate in such an event.

Outlander Season 2 EW photoshoot
Outlander-Caitriona-Balfe-and-Sam-Heughan-photographer MARC HOM for EW

I wouldn’t pass a moment to utilize STARZ’s Outlander as a teaching tool.  And I can’t understand some of the fan reaction to the program.  As I have stated before, the Scottish landscape figures as a character in the books by Diana Gabaldon’s series of time-travel books, and in the television show.  The marketing people are having a field day trying to gage and understand their audience.  Both participants flit from one spectrum to the next, and it is fun to watch from the sidelines.  Sometimes even take part.  Granted I am a fan of the show, for the most part the books, but I’m more of a ‘fan’ of the landscape, the country that it is based upon.  Scotland means more to me than words on a page, or the characters created and brought to life in a TV show.

But to each his or her own.  More than likely those words, just like Scott’s are an embellished representation of the genuine nature of a land, of a people, of a society.

Sense of belonging to me is not so boisterous.  Sense of belonging isn’t some fad that comes and goes.  True appreciation and enjoyment is long-standing, loyalty and more.  You know the bad exists, but the good overrides any hyped up contextualized or marginalized representation.  The true heart of the three environments that tourism and its properties are derived from (economic, sociocultural, and natural/man-made {built}) runs through deep layers of complexity.  Marketing isn’t an easy function of promotion, understanding motivation even harder.  Sometimes people get it wrong, but we hope we get it right.  Sometimes we won’t fulfill the implied promises, and people will be let down.  Their expectations won’t be met, but sometimes…you have to leave what you have envisioned through books, movies, tv, and even word of mouth, and look for yourself what is there.  Let go of all your baggage that you bring with you, and look, immerse yourself in the landscape to find that fulfillment.  As our part of tourism credo goes,

“travel with an open mind, and gentle heart”.

There is a shift in today’s marketing environment because of the interface of technology, and the use of differing platforms.  We are more in-touch than those that came before, those that had limited technology and accessibility to the variety, the diversity that is our world.  People see more, do more, have the capability of understanding more, and broaden their horizons.  Marketing is becoming more complex and transparent.  Creditability and trust are rooted in the genuine.  More and more are deciphering fact from fiction, and acting on it.

The Mantra I teach my students, and I hope that they remember is this…

Recall you are selling the right product [to the right person] at the right time, for the right price, for the right place or location, having the right promotion, engaging the right people, utilizing efficient and effective processes, and using truthful, physical evidence, that is stories and testimonials to engage with your customer…

So sense of belonging is as complex as any other concept I strive to impart.  And it will take a lifetime to understand.  Heck I haven’t even touched on this part of inter-relationship to authenticity.  Shudder…

{There is a case study in here somewhere…ha ha ha}

Place Attachment and more…

Place Attachment and more…

Doune CastleDoune Castle, Scotland by Lost in Scotland

Today in class I continued our discussion about tourism, the tourist, the supply/value chain, and started in on place attachment for our guests, and then the tourist organization develop and promote a destination.  This will lead into tourist motivations, and economic and socio-cultural impacts of tourism on a destination.  For this post, let me again dive into Scotland, and use Outlander as an example.

As I stated in a previous post, throughout the ages, storytelling has been an intricate part of tourism development.  19th century authors like Scott, Stevenson, Burns, Barrie, and their modern-day counterparts, Rankin, McDermid, Banks and others, and even US writers like Canham, and Gabaldon have created literary works that use the landscape of various destinations, most notably Scotland, as a secondary character.  Landscapes figure heavily in the development of their characters.

If anyone understands the process of writing, research is a must.  Joseph Campbell’s life work was understanding the intricate nature of mythology in all cultural realms, and how storytelling was developed to communicate those unique nuances.  His Hero’s journey explains to a certain extent how we move through the landscape, the three environments. That is the socio-cultural, economic, and natural/physical (man-made) environments, and how they shape our behaviors.

Writing ProjectThe Writing Project by Lost in Scotland, feature the Hero’s Journey as developed by Vogler, and Campbell

For instance…

The Grand Tour has been around for centuries, long before its commercialization in the early, and middle 19th centuries.  It really had its origins well before the 16th century, if we care to argue that point.  The form and function were different, but still an idea that evolved as society evolved.

So, back to understanding place attachment, and really authenticity, because I spent a lot of time covering those two aspects in class.  Place attachment really is about understanding ‘place’.  Whether you travel for business, or hedonistic reasons, place figures prominently in any decision-making.

I can’t explain this any better than by using stories.  As a child, young adult, I wasn’t the one that had posters on my wall of the latest and supposedly greatest rock star, or bands of the day.  I had maps from Nat Geo.  I would covet them from the magazine well before my history teacher of a father could garnish them and take them to school.  I studied them and the magazine.  And I fondly remember being enthralled when examining the pictures.  They are what hooked my eyes, drew me in to explore, and read.  I’m sure there was an article featuring Scotland in those days, and I was drawn by the mystical nature of Glencoe Pass, or Eilean Donan Castle.

Eilean Donan Castle PanEilean Donan Castle by Lost in Scotland

To date, I don’t think genealogy figured into that first ‘hook’, though today it does since I can now trace my lineage back to the early King’s of Scotland, and several noted historical figures…I was more hooked by the pictures, than the words, the surreal beauty, hungry to know this place, to know how to take such pictures.  If I was 9 years old, and had received my first camera, then yes, I wanted to be the next Ansel Adams, and that is the place I wanted to take pictures.  (And yes, Ansel Adams was on my wall too).

Fast forward to now, and what I’m trying to convey.  That evolution of thought on my part, the evolution of my understanding, and immersion in a certain place developed my sense of place, my place attachment, and therefore the variable that is place.

Why do we have this intangible understanding that we need to be some where?  What is it that draws one to a country other than their own, and feel a need to visit?  What is that ache that draws you to a destination, and makes you want to stay?  We can and can’t articulate place or sense of place very well, because it evokes an emotional response that makes us do something.  Creates an action in us all to move.  Even to migrate to and live.  I lived in Scotland for almost seven years, and if someone would give me the opportunity, I would move back there in a heartbeat.

Tourism developers, marketing personnel use sense of place, place, place attachment, and your emotional need to induce one to make a decision over another.  Tourism is a highly competitive industry, and any marketing firm, any destination tourist board, wants you to pick their destination over another.

And film, tv figure in that game.

We read books, we ready magazines, and watch films.  We immerse ourselves in our hobbies, our other needs and wants, and develop a sense of identity, a sense of self by extending our understanding, and range of exposure.  We gather tidbits, and trinkets about these stories.  We gather other people around us with like interest, and listen to their stories about their adventures, which may include visitation to the destination depicted in the story.  Okay, I will freely admit, I have read Outlander by Diana Gabaldon.  I enjoyed the first and have read about three of the books, maybe four.  I started back in 1992/3, well after my love affair with Scotland started.  My first real foray into literature with the landscape of Scotland as a character was Scott, Burns, and Stevenson.  And then Marsha Canham’s, The Pride of Lions.  Alright, so I like romance novels, and action.  All of these authors hit on my need and want for excitement, and a bit of sexiness.  Heck, the landscape is sexy.

I couldn’t get into more of Gabaldon’s books because life happened.  I had plans, and well I have to say, her research was flawed in that first book (that she has supposedly fixed) and that irked me no end.  Especially, after I was conducting my own research later on as a Master’s student and PhD student.  The books lost a bit of the luster it had once I found those parts.  After my first visit to Scotland in 1993, and a kind, petite elderly lady encounter in a garden in Inverness, I had to make it back permanently to Scotland.  As the lady told me, “Ye need to return again.  Scotland needs ye.”  Don’t ask, but I had chills for days after that meeting.  Being compared to a ghost is not to my liking, and that is another story altogether.

So back to place, sense of place, and place attachment.  I knew from that first visit to Scotland, I was, using the old Scots vernacular, ‘hame’.  It ticked all the boxes, and I felt a certain attachment, link to the land and the people.  I can’t explain it.  And that is what destination marketing does.  It takes all these elements, these pictures, sounds, emotions, and develops promotional material to aid you in realizing this connection.

Doune Castle used for Castle Leoch in STARZ original series Outlander.
Doune Castle used for Castle Leoch in STARZ original series Outlander. Adapted and based on the books by Diana Galbadon.

Heck, Outlander, the STARZ show, adapted and based on Gabaldon’s books, illustrates a time-honored tradition.  Thomas Cook, whether he realized it or not, and subsequent writers, and tourism suppliers have created hooks to draw you in.  To connected you with the place, the landscape depicted in the books.  Even VisitScotland is on the bandwagon, connecting the dots, the supply chain, marketing, and creating itineraries that take in the tv filming sites for tourist.

Blackness Castle (my picture and then used as a set for Outlander)

They are creating an experience, even though that representation might not solidify with the actual truth of a people.  History has been muddied by more than one historical fiction writer, this writer included, though most ardent authors will stay to the facts, and twist them into their own reality.  Too many readers will catch them out if they don’t do their homework as I did with Gabaldon’s first edition.  I love maps, and don’t get me started on the map in the latest edition of Outlander that has Culloden in the wrong place.  But that’s my hang-up and not lose sight of the enjoyment.

Doune Castle in the background of STARZ Original Series Outlander.
Doune Castle in the background of STARZ Original Series Outlander.

But the people who inhabit a landscape are shaped by that landscape.  On Wednesday, I get to speak to two geography classes about Scotland and the landscape.  How the topography of the land more than helps to influences the development of a culture, of a society.  The history of Scotland and its people are more than just tied to the land, the land helped to meld and form the culture.  The variety of that culture is tied to the division of land and its markers.  Now, today the Scottish people would be affronted by the way I have explained that.  Yet, the Highlands, and the Highland culture have their nuances, as compared the Borders that were highly influenced by their neighbors to the south, England.

To explain more would take more than one blog post, and I am again diverging onto another tangent.  Let me suffice in way of explanation, that the land defines a nation.

We wouldn’t have the iconographic representations of Scotland, the souvenirs based on certain elements if it wasn’t for the land, and the resources one could exploit.  Think sheep, think wool, think the process of making that wool, think plaid, think tartan, and that leads us to souvenirs.  Souvenirs, whether commercial or otherwise (think of the sea shells you pick up on the beach, or the rock you pick up in the national park), they are private representations of a hedonistic past time.  They relate back to that experience, and a tourist want to be able to relive their past experience.  Outlander has a shop online for the fans to dive further into the show, and such.  Even purchases that are latent or after the fact.  Recently, I indulged my love for Scotland by ordering back bacon (bacon sarnies) and Balmoral smoked salmon from my favorite shop, and even purchased a Jacobite era glass that is a historical rendition of the ones used during the mid-18th century.

 

So in tourism, place, place attachment, and sense of place has a host of meanings.  The question I left with the students though now is authenticity, and how we define it now in a modern world.  What is truly an authentic experience anymore?  Has it changed.  And what about heritage?  Historical tourism…Good questions for next time.

On the road again…

On the road again…
Horatio Nelson Jackson
Horatio Nelson Jackson

And in tourism, we are talking about the history of tourism, and how the tourism umbrella, the value/supply chain has evolved in organization and complexity over the thousands of years it has been in existence.

Students are assigned a discussion question after watching the Ken Burn’s documentary about Horatio Nelson Jackson‘s road trip across the United States in 1903.  The documentary is called ‘America’s First Road Trip’.

Jackson, Crocker and Bud the dog, in their 1903 Winton
Jackson, Crocker and Bud the dog, in their 1903 Winton

The film depicts Horatio and Sewall K. Crocker, and eventually Jackson’s dog Bud criss-crossing the continent in a 1903 red colored Winton.  Throughout the film, the students will see the lack of roads, the lack of services, we take for granted today.  A real authentic experience.  How many of us have packed up the car, and gone on that long road trip?  My family did just that when I had just learned how to drive.  We went from east to the west, circumventing the north of the US, and then down through Rockies, and across the southwest, south to get back home.  Sixteen states one summer.

Dad and the station wagon
Dad in front of the old station wagon, late ’60s

Looking back at that time, I remember the fun, but also the cramped, conditions.  We weren’t in a station wagon, but an old Chevy Caprice Classic. Cramped space for five at the time.  Now that I examine that time period, I realized how much I have matured as a traveler.  How much our industry has gained over the years.

That our industry has a complexity.  That there are a lot of dots to align to create an experience that people will enjoy.  And what if they aren’t?  What happens?  Over the next few weeks we will be discussing this more, and getting into that complexity.  Discussing the needs and wants of the tourist, matching those needs, and the relationship to the three environments.  How place attachment is developed, utilized by the marketing efforts of a destination.  What value we can create and exchange.  The impact on the host community.

And how has authentic travel has changed, and taken on new meaning.